

The winds, the sea, animals, birds, and other creatures got the voice. The sound of vibrations started coming in the silent creation of Brahma with the vibration of a small voice. This is where the first note of music was born. As soon as Goddess Saraswati touched the strings of Veena, the word 'Sa' erupted. Brahma Ji requested him to fill his creation with her veena. Goddess Saraswati appeared with a veena in her hands. Goddess Saraswati can solve your problem.Īccording to the statement of Lord Vishnu, Brahma invoked Goddess Saraswati Devi. Hearing the words of Brahma Ji, Lord Vishnu said that you invoke Goddess Saraswati. Brahma Ji went to Lord Vishnu and told about his indifferent creation. Seeing his indifferent creation, Brahma Ji became frustrated and sad. They are Lord Vishnu, Brahma or Prajapati, Lord Shiva or Mahadeva, Hanuman or Bajrangbali, Parvati or Gauri or Uma, Goddess Lakshmi, their vahana or the deity's mount, etc.Īccording to the legend of Goddess Saraswati appearing in the Rana, after completing the creation of the universe when Brahma saw his creation, he felt that his creation is as calm as a dead body. I have raised questions on different avatars of Hindu Gods and Goddess that are interlinked with this ask expert questions to know or learn more about them. Iv) Any more information about Goddess Saraswati/Sarasvati( her birth, parents, siblings, children, her weapon, different names that she is known by, her temple location, etc) that add value to this post. Iii) Why did each avatar come into its form and how did it vanish or die? Ii) What was the purpose or story behind each avatar? I) How many avatars did Goddess Saraswati/Sarasvati take and why did she take such avatars? I would like our experts to help me with the following answers: She is known as eloquence (Bharati), existence (Shatarupa), mother of the Vedas(Vedamata), Brahmi, Sarada, Vagisvari, and Putkari.

Goddess Saraswati/Sarasvati is the goddess of knowledge, learning, music, art, speech, wisdom, and patron of arts and sciences.
